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A profile of California farmer, classicist and commentator Victor
Davis Hanson.
Arms and the Man (Story)
U.S. News & World Report, 03/17/2003, 134(8)
p. 38-39, 1069 words.
Portrait: Victor Davis Hanson
Section: Culture & Ideas
Full Text: (Selma, Calif.) SELMA, CALIF.--Victor Davis Hanson's
grape farm here is 3 miles straight down Mountain View Road from
the Sun-Maid raisin plant his vineyards supply. Orderly rows of
Thompson grapevines, dry and bare in the chill of California winter,
surround a modest, two-story gray farmhouse. Inside, black-and-white
family photos stretch back five generations, evidence of a family
clinging to this land since the railroad brought them from Missouri
in 1872.
There is no room for nuance here. With just 135 acres of vineyards,
equivocation has immediate and very real consequences. Vines are
tended properly, or grapes don't grow; fields are irrigated, or
orchards die; the decades-old tractor in the shed runs, or the farm
fails.
Such clarity may be common in California's fertile Central Valley,
but it's rare in the groves of academe--one reason the 49-year-old
classicist says he feels more at home here. But in recent months
Hanson has become a familiar name across the country in Washington,
talking with the vice president and his advisers about the lessons
history offers modern-day decision makers. His message, brought
home in dozens of columns and articles since September 11, is that
America shouldn't be afraid to use its power in defense of what
he calls western values, and that throughout history such action
has been both justified and eventually vindicated. "There are
some pretty brutal lessons of history, and they would tend to confirm
rather than reject what Cheney and Bush believe," he says.
"There are people all throughout history that remind me of
what they're trying to do right now. They take comfort in that."
Lone star. In the days after September 11, Hanson took what
was then a lonely position among intellectuals. In the New York
Times, the Wall Street Journal, and National Review
he consistently urged action, citing his belief in America's overwhelming
military--and moral--strength. "Fundamentalists despise the
United States for its culture and envy it for its power," he
wrote in his first column for National Review. "These
terrorists hate us for who we are, not what we have done."
As the commentators who shaped conventional wisdom made predictions
of disastrous consequences and inescapable quagmire in Afghanistan,
his twice-weekly column soon became the National Review Web
site's most popular feature. Hanson's voice--always forceful and
clear, sometimes spilling over into strident--struck an immediate
chord with conservative pundits and bloggers. "He specializes
in saying basic things about the values of our civilization that
are considered passe in certain quarters," says National
Review editor Rich Lowry.
Hanson's ideas have never been fashionable. Born and raised in
Selma, he went in 1971 to the University of California-Santa Cruz,
then one of the nation's most radical campuses. He felt alienated
by the ubiquitous drug use and political protests that dominated
campus life. Greek and Latin were a refuge. "It was a chance
to take classes that had some resonance with absolute values: good
and bad, right and wrong," he says. Later, as a Stanford doctoral
student, such ideas made him unpopular among his professors. "He
didn't play any of the games you're supposed to play as a grad student,"
says classmate John Heath, now a professor at Santa Clara University.
After grad school, Hanson went back to the family farm for five
years. Falling grape prices pushed him to take a job at California
State University-Fresno in 1985.
His choices gave him an almost unassailable credibility, something
he readily exploits. His favorite charge against his critics is
hypocrisy. "Homer's Achilles says, `I hate in my heart like
the doorways of death the man who says one thing and does another,'
" he says. "If somebody's criticizing the war, do they
drive an SUV? If they talk about strangulation of world resources,
do they have redwood decks? I've never liked upper-middle-class
suburbanites who . . . voiced political sentiments at odds with
the life they lived."
Fighting words. It's a charge Hanson has also leveled at
his colleagues, to spectacular effect. In 1998, he and Heath coauthored
Who Killed Homer?: The Demise of Classical Education and the
Recovery of Greek Wisdom. The book was a scathing indictment
of classicists, accusing them of failing to act "as explicators
and stewards of Greek wisdom," and it propelled them into the
national debate over higher education. The charges--"self-evident,
mean rhetorical flimflam," University of Iowa professor Peter
Green calls them--still rile many, who dismissed them at the time
as a bitter rant by two scholars from unimportant California schools.
"We're not used to that kind of criticism, or any criticism,"
says Yale classicist Donald Kagan. "What was surprising to
people was that anyone in the academic community should take the
view Hanson takes, or any view at all."
Hanson's 12 books span a wide range of topics, from Greek social
and military history to life as a farmer. Throughout, he displays
a distrust of those who haven't looked disaster in the face. "Most
intellectuals have no real threat to their existence. . . . I don't
have any confidence they can determine good from evil," he
says. "They're really out of touch with the way a man like
[Osama] bin Laden thinks." His criticisms aren't reserved for
the left. Like his parents and grandparents before him, Hanson is
a Democrat, a stance against corporate welfare and destructive agribusiness
in his corner of California.
As the threat of war with Iraq looms, Hanson is again in the thick
of it. A collection of his columns, An Autumn of War, earned
him an invitation to dinner with Dick Cheney in October, and more
recently he has met with the vice president's advisers to talk about
the historical precedents for war. "Being at odds with the
intellectual establishment isn't necessarily a bad thing,"
he says. The administration "has a certain read on the situation,
a visceral, intuitive reaction. People throughout history have had
the same instincts."
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